You can sense fundamental differences in their personalities, and see that the most overworked cliches may indeed be valid--that it helps to look on the sunny side.
He survived, and at 35 was living in poverty on the rough Shetland Islands, where he had just been deposed as the (unpaid) director of the village pageant; he felt the pageant would be going better if he were still in charge.
a private school where students are lodged and fed
But the latest chapter in Neil's story is the most encouraging of all the episodes in "42 Up," and part of the change is because of his fellow film subject Bruce, who was a boarding school boy, studied math at Oxford, and then gave up a career in the insurance industry to become a teacher in London inner city schools.
reach a certain age that marks a transition to maturity
Although modern feminism came of age during the making of the series, the men in these couples essentially define the conditions under which a couple lives, and the women still essentially raise the children.
Sometimes there are surprises; a girl who is uptight and morose at 21, vowing never to marry, blossoms in the later films into a cheerful wife and mother.
the state of being known for some unfavorable act or quality
The series plays on British television, so their notoriety is renewed on a regular basis; it doesn't help to grow gray, because the cameras keep up with them.
Speculating that he might not be able to make a career as a jockey, he talks about taxi driving, and at 28 he is content as a London cabby, happy with a wife and two children, talking about his annual holidays in Spain, thinking about opening a pub.
He was a brilliant but pensive boy, who at 7 said he wanted to be a bus driver, so he could tell the passengers what to look for out the windows; he saw himself in the driver's seat, a tour guide for the lives of others.
One is how articulate the subjects are; from the three working-class girls in a pub to the well-born graduate of the best schools, from the taxi driver to the Cockney who moved with his wife to Australia, they're all good at self-expression.
I feel as if I know these subjects, and indeed I do know them better than many of the people I work with every day, because I know what they dreamed of at 7, their hopes at 14, the problems they faced in their early 20s, and their marriages, their jobs, their children, even their adulteries.
said or done without having been planned in advance
Sarris, writing in the New York Observer, delivers this verdict: "At one point, I noted that the upper-class kids, who sounded like twits at 7 compared to the more spontaneous and more lovable lower-class kids, became more interesting and self-confident as they raced past their social inferiors.
pass into or through, often by overcoming resistance
As he chats with them about how things are going, his films penetrate to the central mystery of life, asking the same questions that Wim Wenders poses in "Wings of Desire:" Why am I me and why not you?
one of a number of things from which only one can be chosen
The fortunate also seem to have found interesting options (an upper class twit at 21 refused to be interviewed at 28--but by 35, amazingly, had flowered into a worker for a relief project in Eastern Europe).
findings of a jury on issues submitted to it for decision
Sarris, writing in the New York Observer, delivers this verdict: "At one point, I noted that the upper-class kids, who sounded like twits at 7 compared to the more spontaneous and more lovable lower-class kids, became more interesting and self-confident as they raced past their social inferiors.
Every seven years, the British director Michael Apted revisits a group of people whose lives he __________________ (chronicle) since they ______________ (be) children.
Although modern feminism came of age during the making of the series, the men in these couples essentially define the conditions under which a couple lives, and the women still essentially raise the children.
As he chats with them about how things are going, his films penetrate to the central mystery of life, asking the same questions that Wim Wenders poses in "Wings of Desire:" Why am I me and why not you?
They accept that they're part of an enterprise larger than themselves: Their films exploit, more fully than any others, the use of cinema as a time machine.
You can sense fundamental differences in their personalities, and see that the most overworked cliches may indeed be valid--that it helps to look on the sunny side.
Sometimes there are surprises; a girl who is uptight and morose at 21, vowing never to marry, blossoms in the later films into a cheerful wife and mother.
Sometimes there are surprises; a girl who is uptight and morose at 21, vowing never to marry, blossoms in the later films into a cheerful wife and mother.
the state of having little or no money and possessions
He survived, and at 35 was living in poverty on the rough Shetland Islands, where he had just been deposed as the (unpaid) director of the village pageant; he felt the pageant would be going better if he were still in charge.
Speculating that he might not be able to make a career as a jockey, he talks about taxi driving, and at 28 he is content as a London cabby, happy with a wife and two children, talking about his annual holidays in Spain, thinking about opening a pub.
He was a brilliant but pensive boy, who at 7 said he wanted to be a bus driver, so he could tell the passengers what to look for out the windows; he saw himself in the driver's seat, a tour guide for the lives of others.
There is much talk about task-sharing, but in the smiles and shrugs of the women, and their glances into the distance, we read the rest of the message.
Another wife, the mate of the unhappy teacher, doesn't want children because they will limit her choices; on the basis of the lives of the others in the film, she's right.